This is a thought-provoking reading of Aristophanes' Clouds. O'Regan's principle theme is the logos, or power of argument, and its effects; she also assesses the self awareness of the second Clouds as a comedy of logos directed towards a resistant audience. Within and without the play, the logos meets defeat when confronted with human nature. The argument conveys insight into A...(展开全部)

This major work from Quentin Skinner presents a fundamental reappraisal of the political theory of Hobbes. Using, for the first time, the full range of manuscript as well as printed sources, it documents an entirely new view of Hobbes' intellectual development, and reexamines the shift from a humanist to a scientific culture in European moral and political thought. By examining...(展开全部)

In this "crime puzzle of the first order" (New York Times), an ordinary flight to London turns extraordinary when a female passenger is shot to death with a venom-tipped dart. Even more bizarre is that the murder went unnoticed by everyone on board-- including the brilliant Hercule Poirot.

From Seat No.9, Hercule Poirot was ideally placed to observe his fellow air passengers. Over to his right sat a pretty young woman, clearly infatuated with the man opposite; ahead in seat No.13, sat a Countess with a poorly-concealed cocaine habit; across the gangway in seat No.8, a detective writer was being troubled by an aggressive wasp. What Poirot did not yet realize was t...(展开全部)

In one of his last books, Socrates and Aristophanes, Leo Strauss's examines the confrontation between Socrates and Aristophanes in Aristophanes' comedies. Looking at eleven plays, Strauss shows that this confrontation is essentially one between poetry and philosophy, and that poetry emerges as an autonomous wisdom capable of rivaling philosophy.

The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied au...(展开全部)

When Leviathan first appeared in 1651, it was recognized as a work of extraordinary scope, uniting metaphysical, theological, and political arguments into a single distinctive outlook. Contending that modern readers do the book an injustice by neglecting its metaphysical and theological themes, David Johnston supports his claim with a detailed examination of the text as a whole...(展开全部)

Our communication is limitedby misunderstanding. Rhetoric, as Professor Richards defines it, is the study of misunderstanding and its remedies. The conventional rules of the old rhetoric and the formulations of scientific language have narrow application to conversational speech; Professor Richard's definition of rhetoric is based on a practical question: how do words work in d...(展开全部)

The first edition of "The Rhetoric of Fiction" transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms--such as "the implied...(展开全部)

A classic in its field, this pathbreaking book humanized the scientific rhetoric of economics to reveal its literary soul. In this completely revised second edition, Deirdre N. McCloskey demonstrates how economic discourse employs metaphor, authority, symmetry, and other rhetorical means of persuasion. The Rhetoric of Economics shows economists to be human persuaders, poets of ...(展开全部)