This is a thought-provoking reading of Aristophanes' Clouds. O'Regan's principle theme is the logos, or power of argument, and its effects; she also assesses the self awareness of the second Clouds as a comedy of logos directed towards a resistant audience. Within and without the play, the logos meets defeat when confronted with human nature. The argument conveys insight into A...(展开全部)

This major work from Quentin Skinner presents a fundamental reappraisal of the political theory of Hobbes. Using, for the first time, the full range of manuscript as well as printed sources, it documents an entirely new view of Hobbes' intellectual development, and reexamines the shift from a humanist to a scientific culture in European moral and political thought. By examining...(展开全部)

This major work from Quentin Skinner presents a fundamental reappraisal of the political theory of Hobbes. Using, for the first time, the full range of manuscript as well as printed sources, it documents an entirely new view of Hobbes' intellectual development, and reexamines the shift from a humanist to a scientific culture in European moral and political thought. By examining...(展开全部)

Presenting the entire German text of Nietzsche's lectures on rhetoric and language and his notes for them, as well as facing page English translations, this book fills an important gap in the philosopher's corpus. Until now unavailable or existing only in fragmentary form, the lectures represent a major portion of Nietzsche's achievement. Included are an extensive editors' intr...(展开全部)

From Seat No.9, Hercule Poirot was ideally placed to observe his fellow air passengers. Over to his right sat a pretty young woman, clearly infatuated with the man opposite; ahead in seat No.13, sat a Countess with a poorly-concealed cocaine habit; across the gangway in seat No.8, a detective writer was being troubled by an aggressive wasp. What Poirot did not yet realize was t...(展开全部)

In this "crime puzzle of the first order" (New York Times), an ordinary flight to London turns extraordinary when a female passenger is shot to death with a venom-tipped dart. Even more bizarre is that the murder went unnoticed by everyone on board-- including the brilliant Hercule Poirot.

In this "crime puzzle of the first order" (New York Times), an ordinary flight to London turns extraordinary when a female passenger is shot to death with a venom-tipped dart. Even more bizarre is that the murder went unnoticed by everyone on board-- including the brilliant Hercule Poirot.

From Seat No.9, Hercule Poirot was ideally placed to observe his fellow air passengers. Over to his right sat a pretty young woman, clearly infatuated with the man opposite; ahead in seat No.13, sat a Countess with a poorly-concealed cocaine habit; across the gangway in seat No.8, a detective writer was being troubled by an aggressive wasp. What Poirot did not yet realize was t...(展开全部)

In one of his last books, Socrates and Aristophanes, Leo Strauss's examines the confrontation between Socrates and Aristophanes in Aristophanes' comedies. Looking at eleven plays, Strauss shows that this confrontation is essentially one between poetry and philosophy, and that poetry emerges as an autonomous wisdom capable of rivaling philosophy.

In one of his last books, Socrates and Aristophanes, Leo Strauss's examines the confrontation between Socrates and Aristophanes in Aristophanes' comedies. Looking at eleven plays, Strauss shows that this confrontation is essentially one between poetry and philosophy, and that poetry emerges as an autonomous wisdom capable of rivaling philosophy.